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MULLAH AGAINST
PINK WALL
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On the surface, or else buried beneath multiple layers of paint, Fakhr
presents brief, sometimes tantalizing apercus of recent Iranian
history, each one suggestive of its relationship to the present. We
see Iranian peep shows, utopian landscapes and studio portraits;
fortune-telling birds, telephone numbers, stencilled graffiti slogans,
obituaries and, central to this body of work, offering both a way in
and a challenge, a family of mostly anonymous individuals gazing
out at us and the world beyond. Women in sunglasses, chador and
lipstick, a bearded and brown-robed mullah, a street vendor and a
former Iranian Emperor, each rendered with a classical sensitivity
which prioritizes mark-making and a direct communication of texture
and surface. It is Fakhr’s handling of these influences which sets
this collection apart, demonstrating his mercurial ability to combine
a breadth of disparate elements into a coherent and mesmerising
whole.
ABOUT THE ARTIST
Born in 1969, Darvish Fakhr grew up in the U.S. before moving to
Britain where his practice has been based for the last two decades.
In 1997 he graduated from the Slade School of Fine Arts, London. In
2004 he won the BP Travel Award, through the National Portrait
Gallery, which allowed him to visit his father’s home country of Iran
and begin his depictions of Iranian culture. Since then, Fakhr has
taken Iran as his principal subject and has been exhibiting in Tehran
at the prestigious Aun Gallery. In 2008 he was asked by National
Portrait Gallery to paint a portrait of the contemporary dancer
Akram Khan; his nine-part panel painting now forms part of the NPG
permanent exhibition. This is Fakhr’s debut solo exhibition in London.

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