NIGHT LIGHT, A CURATED SELECTION OF LIGHT INSTALLATIONS SURVEYING SOCIO-
POLITICAL WORKS BY SEVEN LEADING CONTEMPORARY ARTISTS OPENS AT CUADRO
GALLERY.
Aptly entitled, Night Light, the show will feature rare, retrospective light works by renowned
Saudi artist Manal AlDowayan and light-boxes by Emirati photographer, Ammar Al Attar. In
their debut exhibition at Cuadro Gallery, Iraqi artist, Halim Al Karim, French-Algerian artist,
Kader Attia, emerging British artist, William Mackrell, leading Saudi artist, Ahmed Mater along
with the Puerto-Rican and South African duo, Christto Sanz and Andrew Weir will present an
exclusive body of defining works.
External lighting is often the most crucial component of an exhibition. In this case, Cuadro
Gallery will dim its lights, allowing the illuminated art to become the solitary source and
object of visual perception.
Bringing together seven distinctive artistic styles and vastly diverse viewpoints, Night Light
will present the resonating language of an inventive medium fashioned by talent from around
the world.
Manal AlDowayan’s LED and neon works in Arabic script, chosen from pivotal bodies of
work spanning the artist’s career, illuminate phrases such as We Were Together Speaking
Through Silence and I Need to Pause to Choose Which Path to Take.
Ammar Al Attar frames large format negatives of Middle Eastern Prayer Rooms in four by
four inch light-boxes. Each place of worship is cocooned by a seemingly reverent light, which
illuminates both its seclusion and tranquility.
Halim Al Karim spent three years hidden in a hole in the southern Iraqi desert to avoid
conscription under Saddam Hussein’s regime. An elderly Bedouin woman supplied him
with food, water and knowledge of tribal mysticism to survive the plight. His photographic
abstractions are inspired by the experimental work of his father, an amateur photographer,
meditative spirituality and his harrowing experience of the First Gulf War.
Kader Attia’s minimalist compositions employ shadow as much as light to rearrange our
association with common political terms. The artist strains modern life complexities through
light fixtures that reflect his own experience of growing up amidst Western, North African and
Middle Eastern philosophies.
William Mackrell is influenced by the tale of Sisyphus. He pays homage to the futile yet
monumental effort of the mythical character by using repetitive and reflective patterns to test
the tenacity of light, marking the exact borders between illumination and obscurity, hope and
loss.
Ahmed Mater’s iconic transition light-boxes, critiquing the effects of petrodollar-influx
in Saudi Arabia, depict the gradual transformation of an inanimate gas-pump into a somber
human reality.
Christto and Andrew, as Puerto Rican and South African expats living in the Middle East
allow their multicultural backgrounds to symbiotically inspire complex, stratified works that
explore the transformative state of cultural identity.
The exhibition will remain open from 14 October – 1 November.
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